Sunday, 17 November 2013

Frederick Forsyth



I’m a big fan of Frederick Forsyth. That’s not to say I have read all of his books, far from it, but I really like the way he writes, blending fact with fiction. The stories are so much richer for it.
The first Frederick Forsyth novel I read was The Day of the Jackal. I’d seen the brilliant film numerous times before I decided to read the book. If anything the book is better, and knowing what was going to happen did not spoil my enjoyment one bit. If anything it made me want to see the film again.

The following is from a recent article in the Telegraph newspaper 

Forsyth was flat broke, kipping on a friend’s sofa and tired of the hand-to-mouth slog of freelance life. So in the bitterly cold January of 1970, he sat down at the rickety fold-out table in his friend’s kitchen with his battle-scarred Empire Aristocrat typewriter and, in just 35 days, wrote the thriller that broke the mould.

The idea for The Jackal first dawned on him years earlier, while he was working for Reuters in Paris. Between 1961 and 1963 there was a series of assassination attempts on Charles de Gaulle by a French terrorist group, the Organisation de l’Armée Secrète (OAS), fighting to prevent Algerian independence. “It was just a question of watching the concentric rings of security around de Gaulle,” he says, “and coming to the conclusion that the OAS were not going to kill him. Most of the OAS were ex-army – which meant they were on file. Or they were white colonists from Algeria – neo-fascists.” If the terrorists really wanted the job done, Forsyth figured, they should hire an outsider: a professional hit man with no ties to them and no file with the French police.

“I went to the British Library and read copies of Le Monde and Figaro from the period. And I bought a street map of Paris.” He didn’t have high literary or commercial expectations. “I’d never wanted to be a writer. I devoured H Rider Haggard and John Buchan as a boy, and as a young man I admired the ingenuity of John le Carré, especially The Spy Who Came in from the Cold, but I never thought of imitating him. Growing up, all I wanted to be was a pilot. I just saw writing a novel – stupidly – as a way of making a bit of money. A means to get me out of a jam.”

Frederick Forsyth uses his experiences to add detail and authenticity to his stories. Advice often repeated to aspiring writers. I’m attempting to write a novel at the moment but, if I wrote it based on my experiences so far it would be about a young football loving lad who works in factories until he ‘finds’ himself after being made redundant, and gets his heart broken many times until he finds true love. Not exactly marketable material in my mind.
The Odessa File was my second book of his I read. Again, I’d seen the film first and, again, it did not spoil my enjoyment when reading the book.
If time was more kind I’d love to read his other novels but they will have to wait. 

Sunday, 3 November 2013

Vinyl album covers



I am fortunate to be old enough to remember when the LP was king. There was no CD or download back then. One of the things about LP's that you don't (can't) get with cd's or downloads is the wonderful LP cover art.

Some of the designers for this art became famous in their own right, the late great Storm Thorgerson for example (Pink Floyd, Led Zeppelin, Peter Gabriel to name but a few of the bands he worked with) or photographer Mick Rock (David Bowie, Lou Reed, Queen) but most never really got the recognition they deserved.

Some of the covers are so intricate they need to be seen full size to be able to take in the detail, Elton John's album Captain Fantastic and the Brown Dirt Cowboy is a good example (See the video above). Others are just simplistic pieces of art that become iconic, the obvious example here being Pink Floyd's Dark Side of the Moon.

The album art should compliment the music, to perhaps give a clue as to what the music will be about, Bat out of Hell by Meatloaf does this well. Remember, when the LP was king most of us had no idea what the album was going to be like until it was purchased and listened to. So the cover had an integral part to play in enticing the music fan to buy.

Gate-fold sleeves and inserts were further progressions to encourage the buying public, all now lost to the CD/download world. Although, more and more artists are releasing their albums on vinyl now, but I don't see the LP making a large scale comeback.

The video at the top of this post does a good job of exploring the cover of the LP in question. Some of my other favourites are shown as pictures below. Please click on the pictures to see a larger version.


The Moody Blues - Long Distance Voyager


Marillion - Afraid of Sunlight


Sting - Bring on the Night


Bob Seger - Against the Wind
(I actually bought this on the strength of the cover alone)


Meatloaf - Bat out of Hell